Nine Inch Nails' And All That Could Have Been DVD, released on this day in 2002. I found a folder of raw screengrabs from 2001, during the editing process, where some of the footage was still interlaced from the consumer DV cameras I filmed on in 2000. Here are some enlarged details, which have a phenomenal early-digital texture to them now, and it’s remarkable to see the resolution we were working with to put that film together (these were direct TIFF frame outputs from FCP - all the compression you see in here is from the camera!)
I always loved the way interlaced frames digitally ripped an image apart, and it inspired me in the creation of the “With Teeth” visual aesthetic a couple years later. In 2004, as the prosumer digital video world was continuing the clunky transition away from interlacing, I discovered the first version of Apple’s Motion software did not know what to do with interlaced footage, and would in fact render the interlacing as part of the video when you zoomed into it. That happy glitch accident formed the aesthetic foundation of the video for “The Hand That Feeds.”